"a work of art is one through which the consciousness of the artist is able to give its emotions to anyone who is prepared to receive them. there is no such thing as bad art."
-Muriel Rukeyser
Showing posts with label muriel rukeyser. Show all posts
Showing posts with label muriel rukeyser. Show all posts
07 December 2012
08 September 2012
muriel rukeyser
Effort at Speech Between Two People.
: Speak to me. Take my hand. What are you now?
I will tell you all. I will conceal nothing.
When I was three, a little child read a story about a rabbit
who died, in the story, and I crawled under a chair :
a pink rabbit : it was my birthday, and a candle
burnt a sore spot on my finger, and I was told to be happy.
: Oh, grow to know me. I am not happy. I will be open:
Now I am thinking of white sails against a sky like music,
like glad horns blowing, and birds tilting, and an arm about me.
There was one I loved, who wanted to live, sailing.
: Speak to me. Take my hand. What are you now?
When I was nine, I was fruitily sentimental,
fluid : and my widowed aunt played Chopin,
and I bent my head on the painted woodwork, and wept.
I want now to be close to you. I would
link the minutes of my days close, somehow, to your days.
: I am not happy. I will be open.
I have liked lamps in evening corners, and quiet poems.
There has been fear in my life. Sometimes I speculate
On what a tragedy his life was, really.
: Take my hand. Fist my mind in your hand. What are you now?
When I was fourteen, I had dreams of suicide,
and I stood at a steep window, at sunset, hoping toward death :
if the light had not melted clouds and plains to beauty,
if light had not transformed that day, I would have leapt.
I am unhappy. I am lonely. Speak to me.
: I will be open. I think he never loved me:
he loved the bright beaches, the little lips of foam
that ride small waves, he loved the veer of gulls:
he said with a gay mouth: I love you. Grow to know me.
: What are you now? If we could touch one another,
if these our separate entities could come to grips,
clenched like a Chinese puzzle … yesterday
I stood in a crowded street that was live with people,
and no one spoke a word, and the morning shone.
Everyone silent, moving … Take my hand. Speak to me.
: Speak to me. Take my hand. What are you now?
I will tell you all. I will conceal nothing.
When I was three, a little child read a story about a rabbit
who died, in the story, and I crawled under a chair :
a pink rabbit : it was my birthday, and a candle
burnt a sore spot on my finger, and I was told to be happy.
: Oh, grow to know me. I am not happy. I will be open:
Now I am thinking of white sails against a sky like music,
like glad horns blowing, and birds tilting, and an arm about me.
There was one I loved, who wanted to live, sailing.
: Speak to me. Take my hand. What are you now?
When I was nine, I was fruitily sentimental,
fluid : and my widowed aunt played Chopin,
and I bent my head on the painted woodwork, and wept.
I want now to be close to you. I would
link the minutes of my days close, somehow, to your days.
: I am not happy. I will be open.
I have liked lamps in evening corners, and quiet poems.
There has been fear in my life. Sometimes I speculate
On what a tragedy his life was, really.
: Take my hand. Fist my mind in your hand. What are you now?
When I was fourteen, I had dreams of suicide,
and I stood at a steep window, at sunset, hoping toward death :
if the light had not melted clouds and plains to beauty,
if light had not transformed that day, I would have leapt.
I am unhappy. I am lonely. Speak to me.
: I will be open. I think he never loved me:
he loved the bright beaches, the little lips of foam
that ride small waves, he loved the veer of gulls:
he said with a gay mouth: I love you. Grow to know me.
: What are you now? If we could touch one another,
if these our separate entities could come to grips,
clenched like a Chinese puzzle … yesterday
I stood in a crowded street that was live with people,
and no one spoke a word, and the morning shone.
Everyone silent, moving … Take my hand. Speak to me.
06 September 2012
"the work that a poem does is transfer of human energy, and I think human energy may be defined as consciousness, the capacity to make change in existing conditions."
-muriel rukeyser
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