I thought of a poem by Emily Dickinson as a kind of "indirect viewing device" like those used to safely view a solar eclipse. I made a diagram in my notebook of such a device.
watercolour, ink pen on graph paper.
18 April 2013
15 April 2013
"unrelated poetry side stuff"
I don't really write poems outside whatever current project I'm working on. I have a research based approach to making poetry, which means that when I'm working on a manuscript I'm working on it all the time & not burning energies (& words) on unrelated poetry side stuff. I don't think I'll ever be the kind of poet who publishes a "collected poems" at any point... there just aren't enough to "collect".
When I'm working on something I cut away all the fat & focus my energies on that something. I don't have the stamina to be writing prolific amounts of poems on wide ranges of concepts.
All that being said, I was in oregon last week... my first visit since burying my grandmother. & though the hybrid memoir I'm working on now (see: missoula.) doesn't involve her, I found myself jotting out a little missive on staying in her house now that she's gone:
When I'm working on something I cut away all the fat & focus my energies on that something. I don't have the stamina to be writing prolific amounts of poems on wide ranges of concepts.
All that being said, I was in oregon last week... my first visit since burying my grandmother. & though the hybrid memoir I'm working on now (see: missoula.) doesn't involve her, I found myself jotting out a little missive on staying in her house now that she's gone:
13 April 2013
the moon
"after all, it has been proved, using highly sensitive equipment, that even a cup of tea is subject to lunar tides."
-mary ruefle
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